In the US, the ARF (Advertising Research Foundation) has unveiled the first results from its review of current neuromarketing methods. The study finds it to be 'a valuable tool' but gives many reasons for caution.
The results were revealed at the ARF's annual convention, which bears the punchy title of Re:think 2011 - Managing the Complexity Maze: Insights as the Navigator.
The NeuroStandards Collaboration Project looks at the science underlying the new methods and the validity of the conclusions they give. The ARF said today it would continue the project and set up an 'Expert Review Network' consisting of independent experts to assist users of the research.
The study - whose results were presented by ARF EVP Horst Stipp; Duane Varan, Ph.D., CRO at The Disney Media and Advertising Lab; and Colgate-Palmolive Insight leader Richard Thorogood - worked with eight neuromarketing vendors on three continents to poll 18-to-49-year-olds on reactions to a series of eight commercials.
The groundbreaking validation study used facial coding, biometrics, EEG and quantitative EEG, facial electromyography (fEMG), steady-state topography (SST) and fMRI. Participating neuromarketing-suppliers included Innerscope, Mindlab International, MSW/LAB, NeuroCompass, Neuro Insight, Neurosense/decode, Sands Research and Sensory Logic.
Stipp summarised by saying that 'Neuromarketing, when done properly, is extremely valuable in providing learning regarding consumer attention and involvement, and emotional reactions' but added: 'the application of this complex science to marketing is still developing and there are a number of questions and concerns that surround the field. Marketers can use the insights from this project to become educated consumers in regards to the use of neuromarketing techniques.'
Many of the conclusions to date centre around the difficulty of linking specific changes in the brain / respondent's physiology with specific stimuli / moments in ads and images. They highlight:
All articles 2006-23 written and edited by Mel Crowther and/or Nick Thomas, 2024- by Nick Thomas, unless otherwise stated.
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